Some reasons are obvious. Civilization is better for a long life, not so short and brutish. But there is always a question as to its salvific role. Does civilization make mankind morally better? While in a certain way civilization is self-preserving, there is little or no evidence that Christ considered it his mission to save any civilization. And this relationship becomes especially challenging when Christianity is hooked up with politics.
There is no philosophy of singulars. Meaning requires context. Civilization is the expression of a culture in religion, philosophy, morality, politics, ethics, art, music, literature, manners, dress, and almost everything else. My thesis is that all of these things are or may be not expressions of individual choice or will but are at best expressions of the highest level of reality that we can know or intuit.
Plato argued that there was a place or region where the forms lived, a place not geographical but intellectual and more than intellectual, and this idea itself has never died, although just how this is arranged and how it ‘works’ is a matter of dispute. Of course Aristotle denied that the forms had a transcendent ground, insisting that they were engaged in things, but then he never explained where the forms were parked when they were not informing beings of some kind. Plato had believed there to be a transcendent form for such things as the good, but it was Plotinus, through Augustine, who argued that there was in the “Supreme” an archetype of everything that existed or would exist. The Hellenistic world had its convictions regarding a transcendent ground that gave form to existent being. There would have been moral relativism in that world but not the kind of relativism that confuses genders.
If one turns to the environment, Second Temple Judaism, within which the letters of Paul and the Gospel of Matthew were written, there are only the faintest traces of something like Plato’s forms. What one finds is a two-tiered universe—perhaps three if the underworld is counted—consisting of nature as it is, characterized by corruption, decay, and a world characterized by Glory, or, in Hebrew, shekinah, which in Greek becomes glory, which is always associated with weight, kavod, which would distinguish it from the ephemeral or subjective.
Hans Urs von Balthasar, who wrote four books in which glory is a theme, said that the word could not be defined. Perhaps, but it can be described, The glory of God was present when the blind man was healed; he was afflicted not because of sin but so that the glory of God might be revealed (John 9). Where God is there is glory. Glory is not ephemeral but real; Paul writes that Christians will bear “an eternal weight of glory beyond all comparison (II Corinthians 4:17). It is glory that we will share and in which we will live when Christ returns. Glory is the characteristic of the existence of Christ in His kingdom, which is shared by all those who love Him and who live in Him.
Glory is the teleology, the end, the fulfillment of creation, the end toward which creation and redeemed humankind are moving. In one of Paul’s most moving and fruitful passages, the heart of his theological cosmology, he describes a world we know, subjected to sin not of its own choosing but by God who, after the great rebellion and because of it, subjected nature and human nature in the hope that these will be redeemed in glory (Romans 8:18-25). Glory is the name of the perfection we glimpse beyond the objects and events of life, the perfection dimly apprehended that makes the imperfection of existence present even as it inspires hope of something better. Glory is the realm of the good, beautiful and true dimly perceived by philosophers, by Plato, Plotinus, and Berkeley, often by poets, proclaimed by revelation as the true, supernatural cosmos for which the revealed name is glory, a realm of which the true center is Jesus, and the ultimate purpose of which is not simply to serve as the home of ideas but the reality of which is a divine-human person, who is “the image of the invisible God, the first-born of all creation,” in whom “all things were created.” “He is the first-born from the dead . . . In Him all the fullness of God was pleased to dwell” (Colossians 1:19–20). In the short fifth chapter of Second Peter Christians will partake “in the glory that is to be revealed” and will “obtain the unfading crown of glory,” because God “calls them to his eternal glory in Christ.”
The clues to the existence of the realm of glory are all around those in whom wonder has not been subsumed into an obviousness that blinds the eye of the heart. As Saint Paul wrote: the knowledge of God, of His divinity, is evident in creation (Romans 1:19–20). Where there is order founded in goodness there is glory. Where there is beauty there is glory. It is not the sound of the Bach Mass; it is what you hear beyond the sound of the Bach Mass, what you see beyond the beauty of Raphael and Van Gogh. It surrounds a bride on her wedding day . It is the solid something that inhabits love. Glory is the perfection of order. It is a sign of the presence of the holy. Glory is the reward of fidelity, “if only we will fix our eyes on what is unseen, not on what we can see. What we can see lasts for a moment. What is unseen is eternal” (II Corinthians 4:17).
Glory has an antonym, for which it is difficult to find a single word: the disordered, ordinary, the ignoble, the flat and undistinguished, the low and debased. The best New Testament word is translated “corruption” or “decay.” The promise of God’s will for the salvation of both nature and his elect is the overcoming of decay: “for creation itself will be set free from the bondage,” the slavery, from the decay to which all things crested are subjected since the rebellion in Eden (Romans 8:21). Corruption or decay is the inevitable companion of time. Peter describes it as “the corruption that is in the world because of passion,” by the escaping of which we may share in the divine nature” (II Peter 1:4). Passion: the lust of the flesh, the lust of the eyes, pride of life (I John 2:16), which corrupt whatever they touch. Of this threat to the soul nature provides the effective analogy. Now the roof, which was repaired just short years ago must be repaired again. Now I must do my exercises because my body is decaying before my very eyes. There is the cosmic reality: sin leads to decay or corruption which leads to death. Righteousness, the acceptance of grace, leads to holiness, to participation in Christ, which leads to glory, with its ordered permanence and beauty.
It is the anticipation of glory that shines in the life of every saint. Every life, says Paul, is like a seed falling into the ground, given to God, ready to bear the fruit of glory. “So it is with the resurrection of the dead. What is sown is perishable, what is raised is imperishable. It is sown in dishonor; it is raised in glory. . . . We have borne the image of the man of dust, of Adam, “ we shall also bear the image of the man of heaven” (I Corinthians 15:42–50).
Among other realities, this truth, that glory is the reality and the end, casts into vivid relief the terms and conditions of human existence. One consequence of sin is the distortion the created order, the existence of ‘natural’ evil—no evil is natural in God’s eternal plan—from tornados to plagues. Another is the persistence of sin that so easily colonizes the human will so that while sin can be resisted it cannot be overcome, driven out of creation utterly and completely, until Christ returns; indeed it is the revealed pattern that the world untouched by grace grows worse. This makes the anticipation of glory as it exists in the lives of saints, in order, in beauty, precious and worth defending, indeed celebrating. This is why the good things of this life, beginning with the care of our own souls, deserve our loyalty. This is why civilization, always impermanent, and fragile, never a good in itself, ladened as it is with intimations of the life to come, deserves our loyalty. But while the damage sin may do to the temporal order is severe, the damage sin inflicts upon the soul by denying it the fruition in glory that is its supernatural end is far worse. The end of disorder and decay that belong to this world may end in nothing, in the bleeding away of the very forms of reality, but the destruction of the form of souls destined for the glory and created for eternal life of holiness in God’s presence is an eternal sorrow.
But here let us be concerned with the thought and possibility that glory is the revealed name for the reality for which Plato was groping, a reality that de-relativizes not just ideas but everything, making everything matter. Perhaps it is true that when anything is done with the order that belongs to beauty, goodness, and truth, glory is being, often quietly, revealed. If this is true every action, every artifact, that makes up civilization, by expressing the order of glory, is an anticipation of the glory of the age to come. If this is evident in great, glorious, music, it is also shown in making the bed and setting the table, and along the way in manners and conversation. If this is the case it follows that it is a Christian duty, perhaps not the most important but still very real, to support art. What you hear in Rachmaninoff’s “Pathetique” is an anticipation of the glory of God, no small thing. This is why liturgy must be beautiful, representing as it does the glory that belongs to God’s order.
This of course raises a question about the art of modernity and post modernity, which is, generally, critical image art, illuminating the good and the beautiful by its absence. Here the fundamental principle that glory is the just ontological background is intersected by the seemingly inescapable rule that artists tell the story of their time and place. Perhaps because such images represent ordered beauty, great museums in the United States are busily de-accessioning pre-modern paintings. Necessarily so, because the civilization that reigns is characterized at its living margins by public perversity, riot, and political prevarication, by what the Scriptures call decay or corruption. [And to reiterate, it is neither necessary or right to deny that post-modern art simply corrupt; it is art, it is often full of insight, which raises the question once again, ‘What is art?’.
The program for opposing the decay and corruption into which sin-infected nature will decline if unopposed must be based on the certainty that there is a transcendent ground, the background, remote or immediate, for every human action that is to be found where Plato’s region in which the ideas live is intersected by God’s reality, the realm of glory. This why living is an art, which does not meant that the good life is merely aesthetic. No human act is merely aesthetic.
